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Sean
Rouse "Something to Sell at Edinburgh"
Who
has Sean Rouse in the drunken comedian death pool? Stanhope
does. And that’s why the rest of us are losers. It’s
this very reason that we should take a break from our miserable
lives and listen to Sean drop some knowledge before he’s
found face down in a pool of his own mushroom and Jagermeister
induced stinky puke.
Sean Rouse’s new CD, Something to Sell at Edinburgh is
the perfect listen for when you can’t decide in the morning
if you need to shower. Pop it in, laugh for an hour, feel guilty,
and you’ll be lathering in no time. Basically anytime
you wake up and can’t remember what you did the night
before or who you tried to take home by slipping something in
their drink, Sean Rouse will make you feel better. He’s
like your best friend that way. But he’s way funnier.
And he knows more about football. And you’ll probably
never actually meet him. Oh, and never, ever loan him twenty
dollars.
So
cut the guy some slack and pick up his CD. Seriously, you’re
all he has left. Also look for Sean’s full length release
Spilled Milk out on Stand Up! rilllll soon. This is a limited
edition of four hundred CDs, so get it quick before it’s
gone. |
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Sean
Rouse "Spilled Milk"
Describing
himself as a "little feller" with a close resemblance
to "Dennis the Menace all grown up," a crippled, arthritic
hand he occasionally refers to as Slackjaw, a balding pattern
attributed to his father's penchant for grabbing him by the
hair to deck him in the face as a kid, and a coke habit that
would make Keith Richards a little (more) twitchy, Sean Rouse
of the Unbookables clearly has what the kids call a face for
radio – or at least recorded comedy. It's a good thing,
then, that he's taken the plunge with his debut CD "Spilled
Milk"... and that he's got the shock and awe to back it
up.
Filthy,
depraved, and always clever, the verbal assault on "Spilled
Milk," in fact, is so immediately arresting that it makes
every future listening more rewarding. Once the utter surprise
at the horrific things spewing forth from Rouse's drug addled
brain wears off, you get to the holy grail: the famed second
and even third layers of funny wherein you find that often his
asides to the audience are as witty and well-turned as the backbones
of his routine. Seemingly gamboling about his set in a tangential
manner as though the audience is being treated to the podcast
of his inner monologue, Rouse's call-backs are masterful, building
the crowd's familiarity with hisstand-up language quickly, only
to appall his listeners anew each and every time. Don’t
let the smooth twangy accent fool you, the title “Spilled
Milk” is clearly a warning: listen up, and don’t
cry, sissy. |